In order to justify my proposal I discussed three processes occurring throughout the city. These were the emergence of gated enclave communities, the securitisation of space, and the use of fortress-like design in Los Angeles architecture. All of these have had a segregating effect in a city which, following civil insurrections such as the Watts Riots of 1965 and the 1992 Los Angeles Riots, no longer appears to encourage the mingling of people in public spaces.
This being a history class, I was required to use primary sources to reinforce my argument. The three sources I chose were an article published in a 1991 issue of the Los Angeles Times (McMillan 1991), the classifieds section of a 1990 issue of the Los Angeles Times (1990), and a photograph taken by Diego Cardoso (1992: 241).
The first of these sources helped to explain how and why gated enclave communities have emerged. It describes the $250,000 installation of eight electronic gates in Whitely Heights, thus demonstrating how neighbourhoods play an active role in sealing themselves off from the rest of the city. The action was justified by residents as a means of controlling ‘crime and traffic’ coming from the nearby Hollywood Bowl area. Leading to a 20% increase in property prices, the article also highlights how gates are more than a physical barrier as they keep lower income residents out.
I used the ‘classifieds’ section of the Los Angeles Times to show how, in 1990, spaces were becoming increasingly fortified through the use of private security services. This particular issue boasts 53 advertisements for private security, more than any other position being promoted in the paper. Beyond the number of advertisements was the impressive variety of services offered, ranging from ‘security guard’ to ‘armoured car crews’ and ‘experienced field supervisor’. Almost all posts offered some sort of ‘armed’ services. This clipping therefore points to the increase in securitisation and thus fortification of public and private space in Los Angeles.
A snippet from the Classifieds section of April 24, 1990 issue of the Los Angeles Times |
Finally, a photograph taken by Diego Cardoso illustrates the extent to which architecture in Los Angeles has become a form of fortification. With Frank Gehry at the forefront of this design revolution, Cardoso’s photograph captures the fortress-like nature of Gehry’s Goldwyn Library. Defensively entitled ‘Dirty Harry’s Library’, the photograph depicts an introverted building with high gates, thick concrete walls and a sunken entrance. This impenetrable and unfriendly facade almost entirely resembles a fortress. This particular site is therefore a demonstrative case of fortification in Los Angeles.
'Dirty Harry's Library' by Diego Cardoso (1992) |
There are many other aspects of fortification which, for the sake of brevity, I was unable to describe in this essay. It is also important to note that Davis' is not the only narrative of the city. Many other urban theorists and activists, such as Reyner Banham, have written more positively about Los Angeles' layout and its structures. However Davis' work lends itself well to studies that explore more negative aspects of the city's urban design.
References
Cardoso, D. (1992) ‘Dirty Harry’s Library’ in M. Davis City of Quartz, London: Verso, 241.
Davis, M. (1992) City Of Quartz, London: Verso.
McMillan, P. (1991) ‘Affluent Enclave Will Close Gates on the City Neighborhoods’, Los Angeles Times, February 19, 1991.
Los Angeles Times (1990) ‘Classifieds’, Los Angeles Times, April 24, 1990.
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